Gone Girl

A beautifully portrayed story of the marital spat from hell, just to let you know there are going to be SPOILERS from here-out so trust me when I'm telling you to go see it before you read this, if you'd like to come back and read when you're done that'd be great!

David Fincher, director of classics such as Fight Club and Seven once again plays with your brain like a marionette, Gone Girl is a psychological mystery movie that not only makes you question the conventions of the world around you but the world according to your own mind. Our protagonist and antagonist (really it switches so much it's just easier not saying who's who) Nick and Amy Dunne are two former writers who have had to relocate from New York to Missouri due to the recession and the degrading health of Nick's mother. Told in both internal and external flashbacks we see the rise and fall of the Dunne families marriage, both are introduced as witty, likable and an instant and believable chemistry that lays testament to Affleck and Pikes acting abilities.

Flash back to the present and we see a changed couple, Nick has become distant and cheating partner with a much younger woman whereas as Amy is portrayed as a beaten wife losing faith in even trying to salvage her marriage, all this is shown after the main driving force of the story. As Nick returns home the house shows signs of a break in and Amy appears to be kidnapped.

Nick is quizzed by the intuitive Detective Boney, a character that features as a heavy contrast to her partner, a bigoted cop who just see's things as they are which later on mirrors your own perceptions of domestic abuse, More on that later though. Naturally you try to figure out her disappearance from the get go and your assumptions are fueled by any evidence dug up by Boney and her partner or through the interactions between Nick and his twin sister Margo, a bar owner who seems to serve both as Nicks conscience and our insight into the real Nick.

I'll be honest and admit I suspected Nick as the killer due to some scenes of domestic violence and fairly harsh narrative on his part, it lured me in and just made me appreciate the reveal all that more. Rosamund Pike deserves her Oscar nomination. Amy is described as incredibly intelligent and a little standoffish right from the start but even this was downplayed. Very reminiscent of Sharon stone in Basic Instinct and Glenn Close in Fatal Attraction, Pike joins the great halls of psychotic spurned lovers, framing Nick for everything and leading him into state execution, Amy Dunne will terrify you in her soft spoken tone and remorseless actions.

Plagued by the media circus led by Amy's disappearance and the news' yo-yo portrayal of him as a good husband/uncaring sociopath/anti-Christ, Nick attempts to track down the other former partners in Amy's past, a rapist and a stalker. As it turns out one of these is not like the other and the man accused of raping her was framed by an angry Amy for not liking the ties she bought him, in retaliation she maims herself and plays off peoples perception of her as a helpless little woman, a trope again portrayed later as a room full of FBI agents and Boney all fall head over heels for her and treat like the precious thing she is, all except Boney who begins to see the psychotic Amy as a wolf in sheep's clothing.

The film raises themes from the forefront, the corruption of modern media and the see want you want to see style of journalism we see on a daily basis. Tyler Perry plays a somewhat shameless Lawyer who teaches Nick ways of presenting himself on camera to win over the general public, everything is calculated and reiterates the false apologies you see from celebrities and politicians.

What I found most interesting was the portrayal of domestic abuse on both partners behalf, statistically men are the more abusive gender when it comes to relationships but it doesn't for a second mean that women can't be abusive either. While Amy never really harms Nick physically she psychologically tortures him like a maestro, reducing the big strong man to a nervous wreck who stays awake at night behind a locked door in fear his wife will destroy him.

Dark, twisted and above all thought provoking, Gone Girl is a fantastic adaptation of Gillian Flynn novel of the same that cements Affleck's string of quality movies and hopefully springboards Rosamund Pike into more heavy hitting roles. Go see it already.

Guardians Of The Galaxy

Oh good Christ yes.

So I'll try not to fan boy too hard on this one but this was a fucking great movie, like being a kid and watching Star Wars again for the first time.

Marvels newest wild card seemed like a bold move 2 years ago when it was announced but may well be on it's way to becoming one of the studios freshest outings. Going against the grain of comic book movies having to be somewhat gritty and dark Guardians only takes itself serious for a split second at the start, from then on it revels in its own goofiness and unashamedly breaks the mold.

Beginning in the 80's a young Peter Quill (Chris Pratt) finds himself abducted by a group of space ravagers after a traumatic family experience, he becomes well versed in the goings on of the galaxy and only has a few mementos of his life on earth, most importantly a Sony Walkman and his 'awesome mix tape vol 1'. Quill is a charming yet crass man child known for more than a few run ins with the law and has dubbed himself 'Starlord', something he wishes would catch on more. He later steals the films macguffin, a mysterious silver orb the universe's heavy hitters all seem to be after in a scene very reminiscent of the first five minutes of Raiders Of The Lost Ark and after this the whole plot is thrust into mayhem. There is an incredible prison escape scene in which we are introduced to the other guardians before they're a team, the driven warrior Gamora (Zoe Saldana swapping blue for green) a hulking and revenge bent Drax The Destroyer (Dave Bautista) and the seriously odd couple Rocket Raccoon (Bradley Cooper) and Groot (Vin Diesel proving the same line throughout)

Director James Gunn realistically brings these offbeat characters together exceptionally and never making it feel forced, all the more credit in that these actors were having to act among 2 CGI characters. It's hard to say who steals the show however, Pratt is enigmatic and perfect as the relatable yet morally skewed Starlord, he's effortlessly charming and may well replace Robert Downey Jr as your favourite marvelite. Coming straight behind however is the pairing of Rocket and Groot, one is a crass talking Raccoon with a penchant for big guns and bursts of anger while his muscle/house plant is a Goliath like talking tree who can change shape, limited only to the words "I am Groot" Diesel still manages to convey different emotion between each uttering, you almost start understanding him. If you loved the macabre conversation between Han Solo and Chewbacca you'll be in your element here.

My only real gripe with the movie lies in its villains, you have three (potentially four but those are spoilers...) baddies who hold back the Guardians in one way or another, Lee Pace's zealot like Ronan The Accuser is visually dynamic but seems a little 2D, he's bent on destroying another race his planet is at war with for reasons that aren't really elaborated on too deeply. Doctor Who's Karen Gillan plays the cyborg adoptive sister of Gamora and does well to establish her as a sinister femme fatale with almost reptillian movements and at times a spurned angry child with the mother of all daddy issues, her on screen interactions with Gamora however are no way near enough so here's hoping we see an extension of this in the 2017 sequel.

Visually breathtaking and a soundtrack you'll be replaying to yourself for months to come, Marvel has no qualms with taking you into the unknown and bringing you out a believer. Believe the hype.

"You said it yourself bitch, we're the Guardians Of The Galaxy" the new kids on the block definitely give their earth dwelling cousins a run for their money. This film is the tits.
I read once that if The Avengers are The Beatles then these guys are The Rolling Stones.

Go see it already.

Dawn Of The Planet Of The Apes

The sequel to 2011's Rise Of The Planet Of The Apes hits hard and may well be up there with some of the great sequels such as Empire Strikes Back and The Dark Knight.

Set roughly ten years after brainy chimp Caesar (Serkis doing what he does best) leads an ape uprising on San Francisco, he has started a family and rules over the now tribal Apes who all inhabit the Muir Woods. Caesar stands as the apes ruler while his friends you may not remember from the first film, stand as his confidants. Koba the heavily scarred bonobo chimp has a long standing resentment of the humans who probed and experimented on him acts as mentor to Caesars teenage son Blue Eyes. Maurice the orangutan takes charge of the young apes education and teaches them the rules of their new world, most importantly, 'Ape must not kill Ape.' you could say both Maurice and Koba each represent a half of Caesars conscience, with the heavy decisions that befall Caesar he is often seen hearing advice from each of his friends, Koba however tends not to be as forgiving.

Enter the eventual human side of the story, the out break of ALZ-113 virus meant to cure Alzheimer's instead wiped out 99% of the human population and has been dubbed 'Simian Flu' however there is a small band of survivors apparently immune to the virus residing in the dilapidated ruins of San Francisco. Having burnt through nearly all of their energy, Malcom (Jason Clarke) takes a small group through the woods in an attempt to restart a hydro-electric dam. Thus begins the uneasy downwards spiral of trust between the apes. Caesar recalling the memories of his old foster father is slowly easing into assisting the humans much to the dismay of Koba.

Interestingly enough the seamless CGI and grand storytelling of course paves way for more sequels, I found myself being fine with an entirely CGI movie, the relationships between the apes feels so foreign yet close all at once. Compelling visually and one of the best credits I can give the film is that you forget a lot of this is built up on a computer, you're taken into the world and accept it for what it is. There are less ham handed call backs to the original series, I didn't feel like a Charlton Heston quote would improve any of it, the only thing that was a bit of a callback was the soundtrack which genuinely works, nothing gritty or what we're used to getting lately, but the beating of tightly wound war drums gives an authentic tribal feel in a concrete jungle.

Naturally the human cast take the back seat and none of them really remain that memorable, even Gary Oldman, veteran actor and a man who surely has merited an academy award by now doesn't have too much to work with. The true praise deservedly goes to the motion capture team who brought the apes to life, convincing behaviour and movement yet strangely human in parts, Andy Serkis once again proves he's the king of motion capture but Toby Kebbel gives him a run for his money in this one. Kebbel plays the ally turned antagonist Koba, a character that quickly became one of my favourite villains of the decade, sure he looks frightening and you tense up a little when he moves around the human characters but he's at his most terrifying when the film portrays how intelligent they have really become. Violent, sadistic and meticulously cunning, Koba is an oddly sympathetic villain who carries the explosive third act where things literally go apeshit.

 A worthy entry into a saga of (mostly) classics, (looking at you Tim Burton). If you enjoy your big budget blockbusters with compelling storytelling this will probably tide you over long enough for the sequel.

The Fault In Our Stars

I'm going to be honest guys, romance and teen drama is usually not my thing but this adaptation of the critically acclaimed John Green novel tends to hit home compared to your usual run of the mill love story.

The Fault In Our Stars is grim, tragic and oddly beautiful. The story follows the lives of two star crossed lovers who connect through a shared affliction that most of us will face in one way or another in our lives, Cancer. Shailene Woodley stars as Hazel Grace, a teenager coping with terminal thyroid cancer and as such has to carry around an oxygen tank with her everywhere. Hazel begins the movie as cynical and rightfully depressed that her mother and doctor assures her is a side effect of cancer, she eloquently retorts that depression isn't a side effect of cancer, it's a side effect of dying. One of the many incredibly memorable lines present that really is pushing me in the direction of reading the book, I'm consistently told to. She at one point also refers to herself as a grenade as a way to dissuade anyone from getting close to her. Her condition leaves her unable to do much adventurous but sit around and watch day time television and read her favourite book, 'An Imperial Affliction' a story written the elusive Peter Van Houten (Willem Dafoe).

Her antithesis however takes the form of self assured and wildly optimistic Augustus Waters (Ansel Elgort) a cancer survivor who's operation to remove his osteosarcoma has sadly cost him one of his legs, rather than dwelling on it however he puts his best foot forward (pun intended) and begins to bring Hazel Grace out of her shell and even smile from time to time. He's hard not to like and everyone could use somebody like him from time to time, one thing that doesn't hold up on the big screen though is his habit with cigarettes. I'm told in the novel it's quite clever but he keeps a pack of cigarettes and will have an unlit one in his mouth, his reasoning is having something dangerous close to him but not giving it the power to kill him, It's a metaphor apparently, on screen it comes off a little pretentious sadly.

There is great chemistry between all cast members here, this is a love story and even though it involves some of the usual tropes you'll see in every other movie it's very human treatment of cancer is one of the more moving moments in the film, Hazel Grace's relationship with her woefully conflicted mother really reminds you that in a family it isn't just the person with cancer that suffers, behind closed doors loved ones will drop the brave faces and fall apart, Laura Dern (remember the paleobotanist in Jurassic Park? She digs in the triceratops crap?) is one of the films greatest players, and even at the characters weakest moments displays a plethora of heart and emotion.

An incredibly poignant scene mid way through involving the Anne Frank House has Hazel struggling to make her way up the steep stairs to the haunting yet empowering words of Anne Frank herself is something I came away fondly remembering. Much to the protest of Augustus who tells her she doesn't have to do it, she perseveres dragging her oxygen tank with her, a physical manifestation of the weight she's been carrying for years, she makes it to the top and reminds the audience of the raw determination of the human spirit, I think if you see any scene from the movie then find this one.

Screenwriters Scott Neustadter and Michael H. Webber do well with the source material and some of the lines that you'd imagine would only work in print flow seamlessly with a little help from the actors, I'm often told that John Green really understands the young mind but I'm a little hesitant with the statement. I rather believe that he just has a knack for understanding the human spirit and in a story rife with foreboding messages and inevitable misery he reminds you to live the life you've got while you have it. So yeah ladies and gents, not your every day love story.

Probably one for the ladies gents but for the softer among you bring a tissue or two.

X-Men: Days Of Future Past

Super powered mutants, evil robots, time travel and a whole lot of flares and sideburns going on you wouldn't expect Bryan Singers newest X-Men outing to be anything but groovy, I just wish that was the case.

The latest in one of the longest running comic book movie series going, Days Of Future Past shows our favourite team of exceptional youngsters not so fresh faced anymore. Initially beginning in a dystopian future where mutants and the majority of mankind are all but extinct, no thanks to Bolivar Trask (Peter Dinkalage-Game Of Thrones) an anti-mutant military scientist who created the Sentinel Program, giant morphing robots that seek out mutants to purge them from the earth. Singer begins the film with imagery reminiscent of a concentration camp, bodies being strewn around by machines and the disheveled living wandering through cages. This is where old Xavier (Patrick Stewart) and old Magneto (Sir Ian McKellen) hatch a plan to send Wolverine (Hugh Jackman) back in time to stop Mystique (Jennifer Lawrence) from killing Trask and changing the future they reside in. It's a lot to take in this soon into the movie but just go with it, there's so much else that will aggravate you if you think too hard about it and the plot almost pleads with you just to enjoy the ride.

Wolverine must now bring together a haggard and somehow walking Young Xavier (James McAvoy) now powerless after Beast gives him a serum he can take that takes away his powers but lets him walk again. Apparently injections can heal a broken spine, it's pretty dumb. Also having to find the other side of the morality coin is an imprisoned young Magneto (Michael Fassbender) serving life sentences for the apparent murder of President John. F. Kennedy one of the films highlights stems from his rescue with the aide of the super speedy Quiksilver, It's very reminiscent of the opening scene to X2 but somehow the schoolboy style humor he brings keeps it well in your mind after the credits roll.

As much as the internet seems to be loving Jennifer Lawrence at the minute and her characters development from happy go lucky shy girl to conflicted revolutionary is second only to Xavier's transformation into the wise teacher he'll become, she seems to get an abnormal amount of screen time as apposed to some others who could have desperately used it. For instance Trask's motivation for wanting all the mutants isn't that compelling and he's nothing more than a face for the films villains. As much as I hate the casting of Halle Berry as Storm it wouldn't have hurt to see more of what the future mutants could do, Iceman uses his classic ice slide for a moment and fan favourite Blink fights using portals which I left thinking she had one of the more visually stunning powers.

The film flogs a lot of what you've seen before however, Mystiques eyes glowing yellow while she's transformed and the obligatory Wolverine popping the bullets out of his chest/slow unsheathing of the claws, at times it feels like ideas were running thin in the creative department and even some new things they tried are a little forced (Beast can apparently Hulk out now) Everything aside however the performances are usually convincing, McAvoy and Fassbender outdo their elders and seeing the younger versions of characters you're used to be so flawed and full of youthful rage is a refreshing change of pace.

In it's own right the film is perfectly adequate, an oft confusing plot but full of great dialogue and high octane action pieces will keep you hooked, despite this if you're a fan of the series the contradictions to the other films and lazy wink to the audience will leave you feeling deflated.

Godzilla

The eighth one

Spoilers

After sixteen years since his last big screen outing (or ten if you've seen the Japanese ones) the undisputed king of monsters is back to smash up iconic landmarks and have your inner nine year old squeal with glee. Dinosaurs are cool but nuclear dinosaurs top everything.

The premise of the film basically follows the life of Ford Brody (Aaron Taylor-Johnson. Kick ass) an explosive ordnance disposal technician and his family in two points of time. It initially begins in Japan where Ford's father Joe (Bryan 'Heisenberg' Cranston) an overworked nuclear power plant supervisor sends his wife and a team to look at the damages to the plants core. Disaster arrives on cue and after a huge explosion and the plant being quarantined we hurtle forward fifteen years to see Ford happy with a wife and son. All seems to being going well until he gets a call from Japan to go bail his now estranged father out of prison. The years have not been kind to Joe and his son only see's him getting lost in his conspiracy theories. You know whats bound to happen from here anyway, Joe's not so crazy and it gets a bit late to listen to him. There is one man who seems to have an almost prophetic knowledge of the giant monsters however, Ken Watanabe (Inception) plays Dr Serizawa (possibly an Easter egg from the nineteen fifty four movie) a scientist who works with Monarch, an organisation tracking a number of giant monsters for decades.

Despite a somewhat decent cast the human side of the monster story lacks tremendously, Taylor-Johnson and his on screen wife Elizabeth Olsen are almost a paint by numbers family and it will make you wince in horror. Hopefully it's just what they had to work with that is the problem and not their chemistry, otherwise Avengers 2: Age Of Ultron is going to have it's weak link. Aside from this the usually hard hitting actors are woefully underused, Cranston is as always a pleasure to watch and his trauma and outright frustration with shady government cover ups are one of the films highlights, and yet he's out of the film before the halfway mark. Watanabe also begins the film as a believable and mysterious character who devolves into a cliched mannequin who's sole function is to utter cryptic one liners and spout exposition no ordinary human would be able to arrive at, he unintentionally provides a few laughs however so I guess he has that going for him?

In this aspect it remains faithful to the Toho Studios films. Faithful in that around 85% of the film is comprised of lackluster human stories you sit through in anticipation for the real star of the movie. The build up is worth it and even after giving up a lot of screen time to the films villains (Giant monsters this time! Not the army for once.) Gojira's eventual debut is monumental, hats off to the art department because he looks incredible, and this version of the roar is both heroic and terrifying. He commands a presence and the sluggish but jarring shots he throws at the rival monsters are something you feel the force of, also his atomic breath is Awesome.

You weren't expecting an Oscar winner were you?
With all its faults and a tendency to drag every now and again Godzilla is a welcome return to the big screen and the lack of Matthew Broderick can only improve a movie. Look forward to the sequel, here's hoping for an appearance of this young lady. 

The Amazing Spider Man 2

Lucky number seven

If You weren't aware I will ruin things for you with this review so if you haven't seen it here's your warning, if you don't care too much anyway then press on you hardened powerhouse you.

Marc Webb's second outing for the upcoming 'spiderverse' may not actually be amazing, but when it's good it's pretty great.

Andrew Garfield has Spider-Man nailed now, he's quick with the quips and seeing him climb, swing across the New York skylines and pretty much doing whatever a spider can is visually stunning, Webb keeps you close and at times you really get a sense of what it's like to don the spandex. His Peter Parker however is a mixed bag, the happy go lucky and fun loving side is hard not to like, he oozes charisma especially alongside co-star Emma Stone as the chemistry between the two sparks. On the other hand the will they won't they couple often jackknife into overly angst ridden relationship babble you'd most likely read on a cringey Tumblr post. It's a little hard to watch at times.

Emma Stone brings a more human element to the whole ensemble, although she ends up a damsel in distress for the most part she gives as good as she gets to Peter, all the super powered hi-jinks rarely seems to unnerve her, any problems that arise she either charms her way through or beats it with great intelligence. If you're a comic book fan then what some of you assume will happen actually does and it. Is. Brutal. Webb absolutely nails one of the most iconic scenes of Spider-Man lore.

Not even Batman broke that badly...

The films main flaws sadly is with its villains, much like Spider-Man 3 it's main problem is that too many villains ends up cluttering the narrative and although at least two of the three bad guys have a good set up, they have little to no pay off, often being dealt with in less than a minute. There's really not much to say about Paul Giamatti's Rhino, a Russian mobster who chews the scenery like it's his last meal yet he's said in interviews this was his intention so I guess we can forgive him for that? 

A real shame that Oscar winning Jamie Foxx has so much talent to be wasted on a character with such little substance. He plays Maxwell Dillon, an electrical engineer for the dubious Oscorp industries, Max is meant to be a sympathetic loner style character but is a little too odd to really relate to or feel much for, his apparent isolation from everyone around him sets up his characters transition into an electrically charged super villain bent on destroying Spider-Man but as visually electrifying as he is (there's an excellent Times Square scene) the character just fizzles out into a disappointing end. 

I love puns.

If you have never seen the movie Chronicle I recommend you go see it first of all, but the creepy kid with super powers from that appears once again as a creepy kid with powers. Dane Dehaan plays the sometimes charming sometimes sociopath Harry Osborn returning to New York to take over Oscorp from his dying father Norman. We discover that Harry has also inherited the affliction that destroys his father and is desperate to get his hands on old friend Peter Parkers blood as he believes it's all that can save him. Dehaan is suitably creepy, his chemistry with Andrew Garfield feels genuine while they're still chummy but his eventual transformation into the Green Goblin (the change scene is great, the overall appearance however is more Billy Idol with gangrene) is a little rushed. I'm pretty sure he has only three minutes of screen time and although he makes Spidey struggle he's quickly dealt with. 

There is quite a nice set up for these guys though, at least a few of them.

Overall it has enough action beats to wake you out of some of the slow paced teen angst segments and disappointing sub plots (looking at you Parker parentals) an unforgettable third act and a hope filled ending gives it enough to warrant intrigue in Sony's 'spiderverse'

But lets be honest we'd prefer him in The Avengers right?