Showing posts with label 2014. Show all posts
Showing posts with label 2014. Show all posts

Wednesday, 23 July 2014

Dawn Of The Planet Of The Apes

The sequel to 2011's Rise Of The Planet Of The Apes hits hard and may well be up there with some of the great sequels such as Empire Strikes Back and The Dark Knight.

Set roughly ten years after brainy chimp Caesar (Serkis doing what he does best) leads an ape uprising on San Francisco, he has started a family and rules over the now tribal Apes who all inhabit the Muir Woods. Caesar stands as the apes ruler while his friends you may not remember from the first film, stand as his confidants. Koba the heavily scarred bonobo chimp has a long standing resentment of the humans who probed and experimented on him acts as mentor to Caesars teenage son Blue Eyes. Maurice the orangutan takes charge of the young apes education and teaches them the rules of their new world, most importantly, 'Ape must not kill Ape.' you could say both Maurice and Koba each represent a half of Caesars conscience, with the heavy decisions that befall Caesar he is often seen hearing advice from each of his friends, Koba however tends not to be as forgiving.

Enter the eventual human side of the story, the out break of ALZ-113 virus meant to cure Alzheimer's instead wiped out 99% of the human population and has been dubbed 'Simian Flu' however there is a small band of survivors apparently immune to the virus residing in the dilapidated ruins of San Francisco. Having burnt through nearly all of their energy, Malcom (Jason Clarke) takes a small group through the woods in an attempt to restart a hydro-electric dam. Thus begins the uneasy downwards spiral of trust between the apes. Caesar recalling the memories of his old foster father is slowly easing into assisting the humans much to the dismay of Koba.

Interestingly enough the seamless CGI and grand storytelling of course paves way for more sequels, I found myself being fine with an entirely CGI movie, the relationships between the apes feels so foreign yet close all at once. Compelling visually and one of the best credits I can give the film is that you forget a lot of this is built up on a computer, you're taken into the world and accept it for what it is. There are less ham handed call backs to the original series, I didn't feel like a Charlton Heston quote would improve any of it, the only thing that was a bit of a callback was the soundtrack which genuinely works, nothing gritty or what we're used to getting lately, but the beating of tightly wound war drums gives an authentic tribal feel in a concrete jungle.

Naturally the human cast take the back seat and none of them really remain that memorable, even Gary Oldman, veteran actor and a man who surely has merited an academy award by now doesn't have too much to work with. The true praise deservedly goes to the motion capture team who brought the apes to life, convincing behaviour and movement yet strangely human in parts, Andy Serkis once again proves he's the king of motion capture but Toby Kebbel gives him a run for his money in this one. Kebbel plays the ally turned antagonist Koba, a character that quickly became one of my favourite villains of the decade, sure he looks frightening and you tense up a little when he moves around the human characters but he's at his most terrifying when the film portrays how intelligent they have really become. Violent, sadistic and meticulously cunning, Koba is an oddly sympathetic villain who carries the explosive third act where things literally go apeshit.

 A worthy entry into a saga of (mostly) classics, (looking at you Tim Burton). If you enjoy your big budget blockbusters with compelling storytelling this will probably tide you over long enough for the sequel.

Thursday, 22 May 2014

Godzilla

The eighth one


Spoilers

After sixteen years since his last big screen outing (or ten if you've seen the Japanese ones) the undisputed king of monsters is back to smash up iconic landmarks and have your inner nine year old squeal with glee. Dinosaurs are cool but nuclear dinosaurs top everything.

The premise of the film basically follows the life of Ford Brody (Aaron Taylor-Johnson. Kick ass) an explosive ordnance disposal technician and his family in two points of time. It initially begins in Japan where Ford's father Joe (Bryan 'Heisenberg' Cranston) an overworked nuclear power plant supervisor sends his wife and a team to look at the damages to the plants core. Disaster arrives on cue and after a huge explosion and the plant being quarantined we hurtle forward fifteen years to see Ford happy with a wife and son. All seems to being going well until he gets a call from Japan to go bail his now estranged father out of prison. The years have not been kind to Joe and his son only see's him getting lost in his conspiracy theories. You know whats bound to happen from here anyway, Joe's not so crazy and it gets a bit late to listen to him. There is one man who seems to have an almost prophetic knowledge of the giant monsters however, Ken Watanabe (Inception) plays Dr Serizawa (possibly an Easter egg from the nineteen fifty four movie) a scientist who works with Monarch, an organisation tracking a number of giant monsters for decades.

Despite a somewhat decent cast the human side of the monster story lacks tremendously, Taylor-Johnson and his on screen wife Elizabeth Olsen are almost a paint by numbers family and it will make you wince in horror. Hopefully it's just what they had to work with that is the problem and not their chemistry, otherwise Avengers 2: Age Of Ultron is going to have it's weak link. Aside from this the usually hard hitting actors are woefully underused, Cranston is as always a pleasure to watch and his trauma and outright frustration with shady government cover ups are one of the films highlights, and yet he's out of the film before the halfway mark. Watanabe also begins the film as a believable and mysterious character who devolves into a cliched mannequin who's sole function is to utter cryptic one liners and spout exposition no ordinary human would be able to arrive at, he unintentionally provides a few laughs however so I guess he has that going for him?

In this aspect it remains faithful to the Toho Studios films. Faithful in that around 85% of the film is comprised of lackluster human stories you sit through in anticipation for the real star of the movie. The build up is worth it and even after giving up a lot of screen time to the films villains (Giant monsters this time! Not the army for once.) Gojira's eventual debut is monumental, hats off to the art department because he looks incredible, and this version of the roar is both heroic and terrifying. He commands a presence and the sluggish but jarring shots he throws at the rival monsters are something you feel the force of, also his atomic breath is Awesome.

You weren't expecting an Oscar winner were you?
With all its faults and a tendency to drag every now and again Godzilla is a welcome return to the big screen and the lack of Matthew Broderick can only improve a movie. Look forward to the sequel, here's hoping for an appearance of this young lady.